Briefly about Koushaku Reijou No Tashinami manga: Our protagonist was a simple office worker living in modern Japan. But one day, she is hit by a car. She opens her eyes and realizes that she is in the world of the otome game she loved to play. But that’s not all that happened. It turns out that she has become Iris — a rival protagonist in the game and a villain. And so, faced with a situation that bodes ill for her. She decides to change her fate. But will she succeed? Will she be able to bear the burden that her father, the Duke, has placed on her?
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One of the first otome tensei, which had many interesting ideas ignored by the followers. The heroine is reborn in the body of a “villain” otome game at a condemnation event. And that’s basically all that the subsequent akuyaku reijou took as their basis. Unlike the other manga, the Duke’s daughter begins to take this world seriously. She understands local politics and economics. The heroine tries to build her life and gets into the role of Iris quite well.
However, this is where the weakest chapters of the manga begin. The beginning is frankly a bit Mary Succeeds. And if you don’t know what’s going to happen next, you might think it’s just another tense. Where the villain bends the world with the power of chocolate chip cookies! Too fierce author tosses the heroine trump cards. Here you and the cocoa growing from some devil is not in the tropics, but in a fairly temperate European climate. Here you have the local nobles, so easily agree to an educational program. Though you must realize that education leads to discontent with inequality.
You’ve got the merchants, who have no problem agreeing to economic reforms. Reforms presented by who knows who. And not justified by the philosophical theories of leading economists. And let me remind you, the heroine is a woman in medieval Europe. The daughter of a duke in disfavor with the royal family. At the very least she should have been kicked out with a fucking broom, but no, they listen.
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But after about thirty chapters, when the author runs out of trumps for the heroine. He remembers that it was an otome game. And the author dares to do what most otome game clappers ignore. He begins looking for answers to the contradictions that stick out: How the breakup of the engagement with the duchess affected the prince’s position in society. Whether the prince himself fell in love with the common simpleton or someone helped him. What was the prince thinking breaking off a lucrative political marriage for the sake of a fleeting feeling? And didn’t his advisors prompt him to do it?
How silly it looks in this setting to have a reverse harem for some weak-hearted baroness. What idiots for society the minor love interests make themselves out to be. Wouldn’t a faction of the prince’s supporters try to get revenge on Iris for not going voluntarily to the convent. The author begins to rub the reader’s nose in the fact that otome games are evil, concocted out of unrealistic stamps. Except that the author himself used them extensively a couple of chapters ago.
The result is a simultaneous mixture of an economic development issekai and an otome tensei. At the same time in the economic isekai the author does not disdain to use a stamp. When brilliant kids are so brilliant that they can make a nuclear reactor out of shit and sticks in the stone age. And in the otome tense, the author himself is sticking out the stamps inherent in the genre.
This story was not a bad attempt to do something new in the hackneyed isek genre. But alas, it spawned a fashion for an even duller genre. Perhaps the story would have been better if the otome part of the game had been thrown out altogether. And just make the heroine smart and interesting. But then the manga would have become a rather boring economic strategy, which the author is strong at.
And although the romantic ending is pretty easy to predict already around the 30th chapters. But the manga still wants to read to the end, and see what else the author will bring to light.
